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The Bench Press is a vintage compressor that was patterned after the long discontinued ross compressor. |
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Transparent clean boost The Boosta Grande is a transparent clean boost that is designed to produce up to
20dB of clean gain and benefit the player needing more volume or gain without changing their tone. |
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High gain distortion The Crusher is a high gain distortion with a passive 3-band EQ (bass, mid and treble)
that provides the player with a wide range of distortion effects—from a mild crunch to over-the-top, in your face distortion. |
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Seventies silicon transistor fuzz The Free Fuzz was patterned after a rare and sought-after silicon transistor fuzz pedal
made famous by players like Jimi Hendrix in the late ’60s. The Free Fuzz provides a wide
range of creamy, dynamic fuzz effects with an almost endless amount of sustain for soloing and chunky rhythms. |
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Vintage overdrive The Green Screamer is a vintage overdrive
capable of producing a dynamic range
of smooth and warm overdrive tones
associated with vintage tube amps. |
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Dual-mode vibrato/chorus The Mind Bender is a dual-mode vibrato/
chorus that utilizes a BBD (Bucket Brigade
Delay) circuit and produces a wide range
of lush vibrato/chorus and rotating
speaker effects. |
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Optical compressor The Opto Stomp is a transparent optical
compressor that provides players with
a wide range of soft-knee compression
effects, reminiscent of the best vintage
optical-element compressors made in the
’60s. Perfect for use with bass and acoustic
instruments. |
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Sonic Maximizer™ The Sonic Stomp is a stompbox version
of our ever-popular Sonic Maximizer. The
Sonic Stomp was carefully designed to
deliver the same sonic improvement as
our rack-mounted 482i Sonic Maximizer,
adding clarity, definition and punch to any
instrument. |
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Sixties rotary speaker simulator The Soul Vibe is a vibe/rotary speaker
simulator known for its chewy phase-like
textures made popular in the late ’60s and
early ’70s by such players as Jimi Hendrix,
David Gilmour and Robin Trower. |
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Stomp Ware is a suite of eight plugins modeled from our very own line of boutique analog stomp boxes. The suite consists of our Free Fuzz (‘70 fuzz), Green Screamer (vintage overdrive), Mind Bender (vibrato/chorus), Opto Stomp (optical compressor), Sonic Stomp (Sonic Maximizer), Soul Vibe (‘60 rotary speaker simulator), Tremor (vintage tremolo) and Two Timer (analog delay) to warm up every facet of digital audio production. |
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Universal power supply The Supa-Charger is a high
performance universal pedal
power supply that features:
a custom wound “zero hum”
toroidal transformer; eight
outputs that are isolated, regulated
and filtered; and a selectable input mains switch to accommodate 110-220 voltages, enabling the Supa-Charger to be used worldwide. |
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Dual-mode analog tremolo The Tremor is a dual-mode tremolo that
utilizes an optical circuit to create a wide
range of warm pulsating sounds normally
associated with the “vibrato” effect of vintage
tube amps. The Tremor offers the flexibility
of two independent speed controls that are
foot switchable to enable a player to select
between a slow and a fast tremolo at the
stomp of a switch. |
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Dual-mode analog delay The Two Timer™ was inspired by the long
discontinued DM-2 Delay, which was
known for its warm, haunting reverb and
tape-like echoes. The Two Timer offers two
independent delay times foot switchable
via the “time 1/time 2” mode switch. This
makes it possible to have one delay set up
for a short slapback rhythm sound while
another is set to a longer delay for solos. |
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Sixties wah-wah The Wah is based on a
1967 Class A circuit design
that featured a unique
Halo inductor. BBE has
re-engineered and custom tuned
the Halo inductor and
potentiometer to re-create
the expressive tones made
famous by players like Eric
Clapton and Jimi Hendrix.
In addition, we’ve added
a harmony control to help
fine-tune the Wah’s Q/
peak response, and handwired
all components are for the ultimate in vintage authenticity. |